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WHAT MODELS MAKE WORLDS: CRITICAL IMAGINARIES OF AI
Our Voicing Erasure features a poem written by Dr. Joy Buolamwini that is read in a collective voice, and recited by champions of women’s empowerment with leading scholars on race, gender, and technology. In which urges listeners to take action to redress how Black speakers are effectively erased by speech recognition.
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Coded Bias: a documentary
Directed by Shalini Kantayya, Coded Bias illuminates the harms that AI poses over people's lives, especially minorities. Official Sundance Selection 2020.
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“The Coded Gaze: Unmasking Algorithmic Bias” EXHIBITION AT THE MFA
On November 4th, the Coded Gaze Exhibition debuts at the Museum of Fine Arts, Boston and the InCoding Manifesto was screened.
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Ars Electronica Center “Understanding AI” Exhibition in Linz, Austria
How intelligent can artificial intelligence be? And more importantly: what effects will the advances in this field have on our society?
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The Big Bang Data Exhibition at MIT Museum in Cambridge, MA
Big Bang Data explores the intersections of culture,technology, and society in the digital age.
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"AVATARS//futures" exhibition at Nave Gallery in Somerville, MA
AVATARS//futures documents how artists represent their bodies, their ideas, their nations, and their dead in today’s digital world.
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"Never Alone: What Happens When Everything Is Connected" exhibition
The National Science and Media Museum’s exhibition explores trends around internet connected devices, which have outnumbered humans.
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GetxoPhoto Art Festival “Post Homo Sapiens” Exhibition in Spain
The 13th edition of GETXOPHOTO International Image Festival addresses the challenges faced by individuals in a present world powered by AI.
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“AI: More Than Human” Exhibition at the Barbican London, UK
“AI: More Than Human” looks at AI’s real-life application in fields such as healthcare, journalism and retail.
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“Nine Moments for Now” Exhibition at The Hutchins Center, Harvard University
In the wake of #BlackLivesMatter and #TimesUp, this exhibition highlights that democracy, time and memory are as fragile as our breath.
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“The Criminal Type” Exhibition at Apexart in New York City
In the 19th century, criminologists used the new medium of photography to classify and predict the "criminal type."
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